A very small piece of Penola redgum meets its fate

The previous post features a sizeable lump of Penola redgum.

I left most of it in Aldinga, but smuggled a sliver home in my hand luggage. (Photo)

I then cut it in half, and the result is a clock insert, as you can see.

What is interesting from a woodturning point of view is that the timber, which had not been neatly cut but just rough-split, could not, due to the rough and broken surface, be turned down to a nice, neat item.

I turned it to a round, more or less, but retained much of the broken, split, damaged surface.

Whether it is a successful piece I'm not sure. But it is interesting, and I had fun with it.

I have another little piece, which might get a similar treatment. Not sure yet.

The photos aren't terrific, but if you douoble click and enlarge them you'll get a better view of what I've described.

All the best

vsquared.

Acquiring timber, honestly

Recently we went holidaying, and drove many miles. First stop was Penola, and pretty and friendly town with an unfortunate climate.

But its climate, wet and cold, makes for beautiful timber.

We did the touristy thing, looking through some old and historic cottages, built of timber slabs, plus whatever else they had to hand. It was genuinely interesting.

Stacked, ready for burning in the open fire, was a collection of local timber. I confessed to the kind lady who who had opened the cottage that I had a shameful habit, i.e. reducing perfectly good timber to shavings, and please ma'am could I have a piece of your firewood.

"Poor doddering old fool" she thought. But what she said was, "Sure, help yourself".

So I did, to a big lump of Penola redgum. Most of which now resides in a shed in Aldinga, waiting for a fellow wood butcher to have 'a nidea'. A little bit followed me home to Darwin, and I'll post a photo soon that will reveal its fate.

Little things finished recently

A few new masterpieces.

Well, at least they're relatively new and finished.

They are a lidded box (perhaps jewellery box), with a clock insert inside the lid. The idea seemed good at the time, and it worked OK, but I'm not sure how practical it is.

A sort of pocket watch - a prototype - which worked OK, an d I'll make a modified version later to make it more compact: a spinning top: a plain lidded bowl with contrasting timbers: and a music box in black wattle. The music movement is in the lid, and makes the lid too heavy to be practical. But the black wattle is pretty.

Come to think of it, no masterpieces among them at all. But enough progress to make me relatively satisfied.

all the best,

vsquared

Woodcraft and capitalism

A few weeks ago one of my correspondents, whilst on a tour of the winery's of the Adelaide southern vineyards, come across some woodturned pens, offered as a souvenir by a vintner, for $30.00. She was of course scandalised, knowing the modest price I put on my creations.

The price tag of $30 does provide a very substantial profit, and brought to mind a poor, grey-bearded, shortsighted woodturner, slaving over his lathe until late into the night, and getting but a pittance for his work, with the profit being picked up by the large winemaking corporation.

But that is the way capitalism works.

More recently still, I came across an ad for pens, made using jarrah (sorry, Jarrah) from a Perth WA cathedral, currently being refurbished. These pens are top of the line, a veritable Rolls Royce of pens. Each kit (i.e. the works of the pen) costs upward of $80. To that add the very little bit of historic jarrah, some work, some skill, some sandpaper and wood-finish, and Lo -
you have a pen worth >>>>>>>>>>>>>>>>>>>>>>>>$495.00.

Christianity hasn't survived for 2,000 years without learning a thing or two!

Singer treadle to computer desk

My dear old mum had a singer treadle sewing machine.

It was a beautiful machine (and mum was a beautiful mum).

Some time ago I acquired a singer treadly thing, minus the sewing machine and have had the intention to "do something" with it for a long, long time.

The time has come. I have a plan. I know what to do, how to do it, and what it will look like at the end.

This is the INCEPTION PHASE of a project.

The inception phase is marked by complete confidence, a certainty that this time things will go according to plan.

The next phase is the COMMENCEMENT PHASE. I've already entered this, as I have some of the basis materials to hand - see photo for treadle and some planks of cypress pine, which will be used in the construction. So far so good.

Further phases of the project are:
BASIC CONSTRUCTION- usually notable for finding there is a need for more timber, and for the discovery the timber is no longer available. A small loss of confidence sometimes occurs about this time.

CONNECTING THE COMPONENTS - often a small error in measuring or cutting or glueing up is discovered at this point. Timber can be cut to shorten it, but it is very difficult to stretch, so luck can play a big part in compensating for this minor error. Emotions ranging from minor iritation to despair are not uncommon.

FINISHING THE TIMBER - If there is one thing that woodworking gurus agree on, it is that preparation of timber is the secret to a good finish. This equates to hours of rubbing and scrubbing with sand paper, all the while discovering scratches, dents and other imperfections that were NOT there when the project started. this is also the time to try and cover up the botch that occured in the previous phase. BOREDOM prevails at this time, with frustration common. The words 'NEVER AGAIN" are sometimes heard.

FINALLY - PUTTING IT ALL TOGETHER - Why, why, does it NOT look like it looked in my mind's eye at the inception phase?
A modicum of disappointment, mixed with relief are common at this stage.

I'll report on progress in due course.

Finished - at last

And it's better than it has any right to!

It started in The Guru's workshop, when I said I thought I'd turn the blank upside down and try a natural edge bowl. ( You HAVE noticed the edge isn't nice and flat and even, it's all wavey!)

The Guru said "Hmmmm. Whatever you reckon".

You need to know him to understand what that revealed of his opinion of the idea.

But I went ahead, and received the usual guidance and assistance. And all went fairly well.

At the sanding stage I took it home, intending to finish it on my newly acquired Jet mini-lathe. But I found I couldn't mount it, as the spigot on the bowl was to big for my only chuck.

Dammit!

I shelved tlhe bowl (literally) for a while, then had a brilliant idea. I drilled the base of the bowl and turned and fitted a pedestal. Wundebar. You are bnrighter than Einstein even...

Unfortunately, the pedestal wasn't quite exactly straight, or centred, or perhaps both. And when you put a slightly off balance lump on a lathe, the unbalance is magnified.

I shelved it again!!

Then, a few days ago, I plucked up my courage, gritted my teeth, put my shoulder to the wheel, my nose to the grindstone... and found it was impossible to work in that position.

So I attached the bowl to the lathe via the pedestal, and spent an uncomfortable hour or so sanding and polishing with the bowl thumping and bumping in unbalance.

And the result is OK. Not perfect - [perfection is for the gods).

But OK is OK.

Natural edge bowl on pedestal, New Guinea rosewood, finish Rustins Plastic.

all the best

vsquared47

pens, pens, pens

This is the completion of a small order for pens, which will now travel to the far side of the world, before meeting their users.

The timbers in the four pens on the left are, from the left: Cypress pine, Darwin Black Wattle, Flame Sheoak, and Northern Ti Tree.

The two pens in the photo on the right are the Flame Sheoak and the Ti Tree. All the timbers are Australian natives, the black wattle and ti tree are Northern Territory indigenous.

The sheoak and the ti tree are outstanding timbers for small turned items, being dense, close grained, with a fine finish. the sheoak has great colour and pattern, reddish brown with black streaks. Very showy, though it doesn't show up much in the photos. We'll blame the photographer, not the timber or woodturner.

I take more pride in my wood craft than photography these days. though I used to be a pretty fair clicker. In fact, the older I get the better I used to be.

The cypress and black wattle are fine general purpose timbers, for turning, flooring (the cypress), furniture work, even carving. The ti-tree and sheoak are not much good for anything except small craft items, but what they do well they do really well.

I hope the people who find themselves in possession of any of these pens will visit this site. Leave a comment, tell me how great the pens are, tell me that MissE behaved herself (ha ha) or advise me not to give up my day job - whatever - it'll be good to hear from you.