Tuesday, 6 October 2009
Friday, 7 August 2009
Colourful pens
Pen blanks from man made material can make interesting pens.
Certainly people seem to like them.
But it'll never replace wood, as far as enjoying the process of turning goes.
The reddish brown one, all by itself, is red gum.
Tuesday, 14 April 2009
Bowls - different shapes, sizes, timbers
Three new bowls, none of them quite finished.
I'm in the throes of re-inventing the lute, (or one of its many forms), and each of these bowls started out as a sound-bowl or part of a sound chamber for the lutes (there are to be two).
In the photo with three bowls, the one on front left. New Guinea Rosewood, was to be a sound-bowl, i.e no lid, but it has gradually lost favour and will probably end up just a bowl, for peanuts and popcorn perhaps.
The dark one at the back, Darwin black wattle, was to be the bottom of the sound chamber for lute no. 2, but it also is probably not going to get the job.
The one on the right, pinus radiata, is now favourite to be the open sound bowl, and the sound chamber will probably also be in pinus. I have two blanks prepared for the sound chamber, and with luck will turn them this coming weekend.
Why all the changes? Probably I'm not good at planning, and projects get made up as we go along. Change is inevitable. Sometimes, change is good. Sometimes, its just easier to change than to finish what we started.
The lonely photo in the left corner is the black wattle. We have been fighting for two weeks now, as it really did not want to become a bowl, and declared it was willing to self-destruct at 2500rpm if necessary.
But I was too clever for it, and although it is now 20% glue, we have declared an honourable draw, and it is a bowl.
(NB It is not yet finished, and if you look closely it is still in the chuck, destined to go back on the lathe within a couple of days. Hara-kiri is still possible. I will report further. For those who are interested in detail, the finish is olive oil, and looks great. I'll keep up the oiling until saturation is reached.)
all the best
vsquared
Thursday, 19 February 2009
A very small piece of Penola redgum meets its fate
The previous post features a sizeable lump of Penola redgum.
I left most of it in Aldinga, but smuggled a sliver home in my hand luggage. (Photo)
I then cut it in half, and the result is a clock insert, as you can see.
What is interesting from a woodturning point of view is that the timber, which had not been neatly cut but just rough-split, could not, due to the rough and broken surface, be turned down to a nice, neat item.
I turned it to a round, more or less, but retained much of the broken, split, damaged surface.
Whether it is a successful piece I'm not sure. But it is interesting, and I had fun with it.
I have another little piece, which might get a similar treatment. Not sure yet.
The photos aren't terrific, but if you douoble click and enlarge them you'll get a better view of what I've described.
All the best
vsquared.
Wednesday, 4 February 2009
Acquiring timber, honestly
Recently we went holidaying, and drove many miles. First stop was Penola, and pretty and friendly town with an unfortunate climate.
But its climate, wet and cold, makes for beautiful timber.
We did the touristy thing, looking through some old and historic cottages, built of timber slabs, plus whatever else they had to hand. It was genuinely interesting.
Stacked, ready for burning in the open fire, was a collection of local timber. I confessed to the kind lady who who had opened the cottage that I had a shameful habit, i.e. reducing perfectly good timber to shavings, and please ma'am could I have a piece of your firewood.
"Poor doddering old fool" she thought. But what she said was, "Sure, help yourself".
So I did, to a big lump of Penola redgum. Most of which now resides in a shed in Aldinga, waiting for a fellow wood butcher to have 'a nidea'. A little bit followed me home to Darwin, and I'll post a photo soon that will reveal its fate.
Tuesday, 23 September 2008
Little things finished recently
A few new masterpieces.
Well, at least they're relatively new and finished.
They are a lidded box (perhaps jewellery box), with a clock insert inside the lid. The idea seemed good at the time, and it worked OK, but I'm not sure how practical it is.
A sort of pocket watch - a prototype - which worked OK, an d I'll make a modified version later to make it more compact: a spinning top: a plain lidded bowl with contrasting timbers: and a music box in black wattle. The music movement is in the lid, and makes the lid too heavy to be practical. But the black wattle is pretty.
Come to think of it, no masterpieces among them at all. But enough progress to make me relatively satisfied.
all the best,
vsquared
Tuesday, 16 September 2008
Woodcraft and capitalism
A few weeks ago one of my correspondents, whilst on a tour of the winery's of the Adelaide southern vineyards, come across some woodturned pens, offered as a souvenir by a vintner, for $30.00. She was of course scandalised, knowing the modest price I put on my creations.
The price tag of $30 does provide a very substantial profit, and brought to mind a poor, grey-bearded, shortsighted woodturner, slaving over his lathe until late into the night, and getting but a pittance for his work, with the profit being picked up by the large winemaking corporation.
But that is the way capitalism works.
More recently still, I came across an ad for pens, made using jarrah (sorry, Jarrah) from a Perth WA cathedral, currently being refurbished. These pens are top of the line, a veritable Rolls Royce of pens. Each kit (i.e. the works of the pen) costs upward of $80. To that add the very little bit of historic jarrah, some work, some skill, some sandpaper and wood-finish, and Lo -
you have a pen worth >>>>>>>>>>>>>>>>>>>>>>>>$495.00.
Christianity hasn't survived for 2,000 years without learning a thing or two!
The price tag of $30 does provide a very substantial profit, and brought to mind a poor, grey-bearded, shortsighted woodturner, slaving over his lathe until late into the night, and getting but a pittance for his work, with the profit being picked up by the large winemaking corporation.
But that is the way capitalism works.
More recently still, I came across an ad for pens, made using jarrah (sorry, Jarrah) from a Perth WA cathedral, currently being refurbished. These pens are top of the line, a veritable Rolls Royce of pens. Each kit (i.e. the works of the pen) costs upward of $80. To that add the very little bit of historic jarrah, some work, some skill, some sandpaper and wood-finish, and Lo -
you have a pen worth >>>>>>>>>>>>>>>>>>>>>>>>$495.00.
Christianity hasn't survived for 2,000 years without learning a thing or two!
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